Digitization of the Enlightenment and Manifold Scholarship

Last month, Oxford University Studies in the Enlightenment released the first volume in the long history of the series that is devoted to the application of digital humanities methods to the study of eighteenth-century intellectual life, Networks of Enlightenment, edited by Chloe Edmondson and Dan Edelstein. To accompany this important and innovative book, we are pleased to be releasing our first-ever digital companion to an OUSE book through the Manifold Scholarship platform.

The digital companion site to Networks of Enlightenment 1 is hosted on the Liverpool University Press Digital Collaboration Hub, constructed on the Manifold Scholarship publishing platform. Funded by the Mellon Foundation, Manifold Scholarship is described as “the intuitive, collaborative, open-source platform for scholarly publishing you’ve been waiting for”. In their own words, the platform allows “for a much more expansive archive of primary sources, such as field notes, moving images, audio, interactive data and maps, photographs, interviews, and archival material” and “asks that an author think creatively about the broad set of materials that are collected in the process of researching and writing a book”.2 Liverpool University Press is participating in Manifold’s pilot program – this companion site is a pilot for the OUSE series as well.

The book at the center of this pilot for OUSENetworks of Enlightenment, focuses on the use of metadata to identify and represent social networks, such as those formed by correspondences, by academy affiliations or by the words in a text. As part of this work several contributors to the volume, using data visualization tools developed at Stanford’s Center for Spatial and Textual Analysis, created 40 data visualizations to demonstrate the structure and density of these network relationships. The visualizations are, in fact, crucial to understanding the arguments presented in this book.

Yet these figures, principally due to their complexity as images, can only be approximately reproduced in the medium of the print book; Manifold allows these figures to be rendered as they ought to be – online, in high-resolution and in full color. This supplemental platform thus opens up the possibilities when it comes to publishing digital humanities scholarship, in this volume and in the future. We hope in the coming years to continue this utilization of Manifold to offer our authors, and readers, scholarship that is innovative in method, in findings and in its format.

We are launching this companion site on July 16th, during the XVth International Congress on the Enlightenment which is being held during the same week in Edinburgh, Scotland, under the auspices of the International Society for Eighteenth-Century Studies. Today’s digital-focused day consists of the Voltaire Foundation-sponsored day-long workshop “Digitizing Enlightenment IV”, and will culminate in McEwan Hall at the formal launch (and drinks reception) for the Oxford University Studies in the Enlightenment ONLINE, the digital collection which will make available the entirety of the OUSE/SVEC backlist by the end of 2020. Both events will be an exploration (and a celebration) of the efforts already made thus far to consider how scholarship can be enhanced by digital methods, now and in the future.

– Gregory S. Brown (General Editor, Oxford University Studies in the Enlightenment, and Professor of History, University of Nevada, Las Vegas) and Nicole Batten (doctoral student, Department of History, University of Nevada, Las Vegas)

1 The site, it is important to note, is not a full-text digital edition. The text consists of the full text of the book’s Introduction and Table of Contents, and brief summaries of the nine body chapters of the book.

2 We would like to thank in particular Terence Smyre, Digital Projects Editor of University of Minnesota Press for his help in the assembly of this site. The assembly of the site also had support from the College of Liberal Arts at University of Nevada, Las Vegas, which provided support for our time on this project.

This post is reblogged from Liverpool University Press.

The Salons Project: a digital approach to eighteenth-century French salons

We are currently finalising the programme for Digitizing Enlightenment IV, a day-long workshop that will take place on 15 July as part of the ISECS Congress in Edinburgh this summer. In order to expand our network of Digitizing Enlightenment projects and researchers, we encourage those working in any aspect of digital humanities across the interdisciplinary spectrum of eighteenth-century studies to attend the event, if in Edinburgh, or contact us for more information.

Meantime below is the second post in our series of follow-up discussions based on work presented at the Digitizing Enlightenment III workshop.

– Glenn Roe, Voltaire Lab

Eighteenth-century French salons have developed a mystical aura as sites of elite sociability and (more controversially) as potential workshops of Enlightenment philosophy. They were, however, ordinary face-to-face gatherings in many ways – not unlike unscheduled conferences and meetings with loose agendas today; the one consistent difference is that they were held in private homes instead of conference rooms and organized by individuals (normally women) rather than groups or committees. The nineteenth-century term “salon” grouped together a variety of meetings with certain characteristics: salons were held in private homes with relatively elite participants, conversation was the primary activity, and they occurred on set days and at times that were part of a larger social calendar. Aside from these very general characteristics, salons had a wide variety of purposes, publics, and activities.

a French salon

Niclas Lafrensen [Nicolas Lavreince] (1737-1807), A French salon.

The most celebrated among salons, notably Tencin’s, Graffigny’s, Geoffrin’s, and Lespinasse’s, have become associated with great writers, philosophes, and mathematicians, like Voltaire and D’Alembert. Antoine Lilti has challenged the view that salons were primarily counter-cultural venues for philosophical debate, showing that the aristocratic traditions influenced notions of politesse in the salons and emphasizing the aristocratic habitus of many salon hostesses even when they had philosophes as guests. Disagreements over the character of salons may amount to differences more of degree than of type, since historians generally agree that the salons were mixed environments, but these debates do demonstrate the importance, now more than ever, of working through who was in attendance, in order to identify the social characteristics of eighteenth-century French salons.

I am the co-director with Chloe Edmondson of The Salons Project, a database of primarily eighteenth- and nineteenth-century European salon participants. We completed our pilot project of French salons from 1700 to 1800 last year and have some preliminary results, which will appear in the volume Digitizing Enlightenment, edited by Glenn Roe and Simon Burrows, in 2019. As expected, we found a great deal of evidence for social mixité in eighteenth-century salons, including patterns of mixed gender, age, occupation, interests, and social status. We also found that both women and literary figures were present in all of the major salons, including salons like Deffand’s which were not known for their openness to the philosophes. We found that nobles were present in all salons, as were gens de lettres, and that these people were often one and the same.

Our list of more than 600 salon participants is far from a complete record of eighteenth-century French salon attendees, but it is the largest and most complete database that we are aware of. The purpose of our study was not only to create a database, but also to create a method and a format for sharing data about salons and other informal networks. This method uses the robust data model created by the Electronic Enlightenment project, such that our data are compatible with the many other Enlightenment-era projects that are inspired by that database. We also use the schema “Procope”, which we developed along with Maria Teodora Comsa, Dan Edelstein, and Claude Willan to classify Early Modern European individuals, and which is described in our article “The French Enlightenment network”.

the Salons Project

Salon, correspondence, and knowledge networks in French salons, 1650 to 1815 (data from The Salons Project, Conroy and Edmondson).

Within our larger dataset (1650 to 1815), we found that the letters networks and salon networks remained well integrated, and that philosophes were a minority but well integrated into the core of the network (see diagram). The most central figures are the ones whose networks are most associated with each field of knowledge (for example, Lespinasse’s salon is strongly associated with the “Letters_Philosophical” network, whereas Praslin’s is not; Voltaire’s correspondence network is more strongly associated with the encyclopédistes than is Necker’s; the Letters networks and “Letters_Philosophical” network are themselves tightly connected and central to salon networks). Whereas the best known salons of the era were well integrated into the letters and philosophical networks, it is important to remember that many of the salon attendees were not otherwise part of the French Enlightenment network, especially women, lower-status individuals, family members of other salon participants, and foreigners. By adding these more marginal people to the records on eighteenth-century French sociability, we hope to open up new avenues for finding social relations that are not well known among these more marginal participants on the edges of the Enlightenment. Even where we were not able to learn much about some of these more minor figures, including them in this preliminary dataset increases the chances that we will learn more about them in the future.

– Melanie Conroy, University of Memphis

Melanie Conroy is assistant professor of French at the University of Memphis and the co-director with Chloe Summers Edmondson (PhD candidate, Stanford University) of The Salons Project, a database of European salon participants. She can be reached at mrconroy@memphis.edu or @MelanieConroy. The Salons Project is online at salonsproject.org. The Salons Project is collaborative and invites new researchers to adopt its methods and share their data.